![]() ![]() The thumb rule is - the simpler the object, the higher the tolerance.īut experiment with this value according to the complexity of your image. Higher values will decrease the number of anchor points and make the path smoother. The lower the value, the more closely the selection follows your path. The Tolerance value determines how closely the path should “stick” to the contours of the image. A value of “1.0” should be ideal for the irregular paths around a portrait. To make the path smoother, set a Tolerance value in the dialog box that pops up. Right-click on the image, and choose Make Work Path from the context menu.Īlso, set a Tolerance Value in the little box that’s displayed. Select the Marquee tool or any selection tool. Photoshop can convert selections into paths and vice-versa. Like all vectors, you can stretch and shape them without losing detail. In other words, they are vector line drawings. Convert Your Selection Into a Path #Ī path in Photoshop is nothing but a line with anchor points at its two ends. Choosing the Grayscale preview in the dropdown will give you an idea of the areas selected.Ĭlick OK to close the dialog and come back to the threshold layer with the portrait selected. Use the Eyedropper tools to select all the different tonal areas in the image. In this Photoshop tutorial, we want to use the Color Range command to select all the white and black tonal areas. You can pick up a range of colors by using the tool repeatedly on different areas of an image. But it’s also better as it can select pixels that share the same or similar color with the eyedropper tool on that area of the image. The Color Range command under the Select menu is like the Magic Wand selection. Use the Color Range Command to Select Tonal Areas # In the example image, we have used a value of 51. ![]() Adjust the slider till you get your desired look. In the Layers panel, add a new Threshold layer by selecting the Create new fill or adjustment layer icon. The Threshold Adjustment layer transforms the current layer into a black and white image, and you can give a color image a neat one-color look later in the process. Use this if you have a group of objects (or people) in your photo. It works just like the Select Subject but helps you fine-tune the selection with more controls. Use the Global Refinements sliders to fine-tune the selection edges if necessary, and then output the selection to a new layer.įor more complex objects in your photo, the Object Selection tool is a powerful feature in Photoshop. Go to Select > Select & Mask > Select Subject and it will smartly select the most prominent subject in a photograph. You can also find it under the Select menu. The Select Subject button is displayed on the toolbar when you pick a selection tool. It’s a content-aware tool that uses smart algorithms to detect people in images. If you want to choose by color, then Magic Wand or the Quick Selection tool is an option.įor portraits, the Select Subject command can select the main subject in a photo automatically. For instance, if the image has straight edges, you can select the Rectangular Marquee tool. The method you choose will depend on the nature of the image. There are different methods you can use to make a selection in Photoshop. If the object you want to vectorize has a busy background, then remove the background in Photoshop first. The sample image in this example is a simple portrait. Open the Raster Image in Photoshop #ĭrag and drop the raster image into Photoshop or open it from File > Open. But you should be able to follow this simple tutorial with most of the recent versions of Photoshop. The screenshots are from Adobe Photoshop CC (21.2.0). Here’s a glimpse of the initial raster portrait and the final image after it has been vectorized. ![]()
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